November 06, 2011

Collective Identity Criticism of the same, ie systematically reasonable estimate of artistic creativity and works of art, although the right may not affect the author's own assessment of his art and fans, but it performs an essential function of assimilation of art into a common culture in general. Without a critical art is detached from the process of historical development. The author has over ten years ago used the methodology of Jungian psychology in the mainstream of aesthetic criticism. Thus, in the local (Kharkov), press published articles on Sergei Yesenin, Mikhail Lermontov, Victor Tsoe. Especially in the context of this article, I want to mention the aesthetic evaluation of works of Russian rock legend - Viktor Tsoi. An article about him titled "The Legend of Viktor Tsoi", was published in the "Sloboda", 1995, 44-46, as well as in R. P. Eslyuka "The thrill of the soul: poetry, prose, articles": Kharkov, 1995, 305. .) In his article "The Legend of Viktor Tsoi" I saw the root cause of the enormous popularity Choi, in the merging of his personality, which became a symbol of time, society's need for change, the need for breaking down the old system of values (Collective Identity, speaking in terms of Jungian psychology.) Choi manner to resist authority, secrecy, introverted rich inner world, full of metaphoric poetic images, all this reflected the opposite Persona archetype of the so-called Shadow, that is, latent potential (Unconscious). His famous line "CHANGE! Changes require our hearts! "Were significant for all creative Viktor Tsoi.
Victor Sizov Black The term was first used bespredmetizm Victor Sizov name in notes published in the form of seven staccato sentences in the order of Russian alphabet. Full text of a manuscript had been lost. Recovery chronologically, the logical structure of the note was the subject of debate, and some reasoning took the form of one-sided dialogue thinkers. It is obvious that disturbance is the loss of understanding of the thought process and the likely loss of output, as well as the creation of a logical barrier when trying to continue the general discussion. Also controversial was the question of the nature of the arguments as to why artist, depicting a picture of a yellow square, theorizes about the color black. Perhaps this explains the mixed structure of the seven notes in the offers. It was suggested that a discussion of the black, he could come to understanding it as night falls, and therefore it is logical to assume that the yellow square is a symbol of the sunrise and the onset of the day. Meaningful and idealization of semiotics is due to the inherent directions primitivism with pointless scenes symbolization. In criticism of allegory Geometrized works are diverse. For example, the linear geometric understanding of primitivism to the question of what art product. From the standpoint of skolizma arbitrarily interpreted the material object is not a work of fiction, such is the only expressive material model, for it alone is the product of artistic creativity, which should not be confused with the artistic perception. For example, a person with no artistic training can be copied from a textbook of psychology black square on a white background from the handbook cromatics on red and yellow square on the same background. All three copies can be interpreted in different ways. Thus, the black box can be interpreted as the night sky, overcast in the case of realistic interpret as an allegory or transcendental abyss that embodies nothing in the case of the symbolist interpretation.